What is Jeet Kune Do?
Jeet Kune Do is an eclectic martial art heavily influenced by the philosophy of martial artist Bruce Lee. Lee, who founded the system on July 9, 1967, referred to it as “non-classical”, suggesting that JKD is a form of Chinese Kung Fu, yet without form. Unlike more traditional martial arts, Jeet Kune Do is not fixed or patterned, and is a philosophy with guiding thoughts. It was named for the way of attacking when one’s opponent is about to attack. Jeet Kune Do practitioners believe in minimal movement with maximum effect.
“The less effort, the faster and more powerful you will be.” -Bruce Lee
One of the premises that Lee incorporated in Jeet Kune Do was “combat realism”. He insisted that martial arts techniques should be incorporated based upon their effectiveness in real combat situations. This would differentiate JKD from other systems where there was an emphasis on “flowery technique”, as Lee would put it. Lee claimed that flashy “flowery techniques” would arguably “look good” but were often not practical or would prove ineffective in street survival and self-defense situations.
This premise would differentiate JKD from other “sport”-oriented martial arts systems that were geared towards “tournament” or “point systems”. Lee felt that these systems were “artificial” and fooled their practitioners into a false sense of true martial skill. Lee felt that because these systems favored a “sports” approach they incorporated too many rule sets that would ultimately handicap a practitioner in self-defense situations. He felt that this approach to martial arts became a “game of tag” which would lead to bad habits such as pulling punches and other attacks; this would again lead to disastrous consequences in real world situations.
Text taken from Wikipedia page on Jeet Kune Do
Liberate Yourself From Classical Karate
Written by Bruce Lee
I am the first to admit that any attempt to crystalize Jeet Kune Do into a written article is no easy task. Perhaps to avoid making a thing out of a process, I have not until now personally written an article on JKD. Indeed, it is difficult to explain what Jeet Kune Do is, although it may be easier to explain what it is not.
Let me begin with a Zen story. The story might be familiar to some, but I repeat it for it’s appropriateness. Look upon this story as a means of limbering up one’s senses, one’s attitude and one’s mind to make them pliable and receptive. You need that to understand this article, otherwise you might as well forget reading any farther.
A learned man once went to a Zen teacher to inquire about Zen. As the Zen teacher explained, the learned man would frequently interrupt him with remarks like, “Oh, yes, we have that too…” and so on. Finally the Zen teacher stopped talking about began to serve tea to the learned man. He poured the cup full, then kept pouring until the cup overflowed. “Enough!” the learned man once more interrupted. “No more can go into the cup!”. “Indeed, I see” answered the Zen teacher. “ If you do not first empty your cup, how can you taste my cup of tea?”
I hope my comrades in the martial arts will read the following paragraphs with open-mindedness, leaving all the burdens of preconceived opinions and conclusion behind. This act, by the way, has in itself a liberating power. After all, the usefulness of a cup is in it’s emptiness.
“Make this article relate to yourself, because though it is on JKD, it is primarily concerned with the blossoming of a martial artist – not a “Chinese” martial artist, a “Japanese” martial artist, etc. a martial artist is a human being first.”
Make this article relate to yourself, because though it is on JKD, it is primarily concerned with the blossoming of a martial artist – not a “Chinese” martial artist, a “Japanese” martial artist, etc. a martial artist is a human being first. Just as nationalities have nothing to do with one’s humanity, so they have nothing to do with the martial arts. Leave your protective shell of isolation and relate directly to what is being said. Return to your senses by ceasing all the intellectual mumbo jumbo. Remember life is a constant process of relating. Remember, too, that I see neither your approval nor to influence you towards my way of thinking. I will be more than satisfied if, as a result of this article you begin to investigate everything for yourself and cease to uncritically accept prescribed formulas that dictate “this is this” and “that is that”.
ON CHOICELESS OBSERVATION
Suppose several persons who are trained in different styles of combative arts witness an all-out street fight. I am sure that we would hear different versions from each of these stylists. This is quite understandable for one cannot see a fight (or anything else) “as is” as long as he is blinded by his chosen point of view, ie. style and he will view the fight through the lens of his particular conditioning. Fighting “as is”, is simple and total. It is not limited to your perspective or conditioning as a Chinese martial artist, a Korean martial artist or a “whatever” martial artist. True observation begins when one sheds set patterns, and true freedom of expression occurs when one is beyond systems.
Before we examine Jeet Kune Do, let’s consider exactly what a “classical” martial art style really is. To begin with, we must recognize the incontrovertible fact that regardless of their many colorful origins (by a wise, mysterious monk, by a special messenger in a dream, in a holy revelation, etc.) styles are created by men. A style should never be considered gospel truth, the laws and principles of which can never be violated. Man, the living, creating individual, is always more important than any established style.
It is conceivable that a long time ago a certain martial artist discovered some partial truth. During his lifetime, the man resisted the temptation to organize this partial truth, although this is a common tendency in man’s search for security and certainty in life. After his death his students took “his” hypothesis, “his” postulates, “his” inclination, and “his” method and turned them into law. Impressive creeds were then invented, solemn reinforcing ceremonies prescribed, rigid philosophy and patterns formulated, and so on, until finally an institution was erected. So, what originated as one man’s institution of some sort of personal fluidity has been transformed into solidified, fixed knowledge, complete with organized classified responses presented in a logical order. In so doing, the well-meaning, loyal followers have not only made this knowledge a holy shrine, but also a tomb in which they have buried the founder’s wisdom.
But the distortion does not necessarily end here. In reaction to “the other’s truth”, another martial artist or possibly a dissatisfied disciple, organizes an opposite approach – such as the “soft” style versus the “hard” style, the “internal” school versus the “external” school, and all these separative nonsenses. Soon this opposite faction also becomes a large organization, with it’s own laws and patterns. A rivalry begins, with each style claiming to possess the “truth” to the exclusion of all others.
At best, styles are merely parts dissected from a unitary whole. All styles require adjustment, partiality, denials, condemnation and a lot of self-justification. The solutions they purport to provide are the very cause of the problem, because they limit and interfere with our natural growth and obstruct the way to genuine understanding. Divisive by nature, styles keep men apart from each other rather that unite them.
TRUTH CANNOT BE STRUCTURED OR CONFINED
One cannot express himself fully when imprisoned by a confining style. Combat “as is” is total, and it includes all the “is” as well as “is not”, without favorite lines or angles. Lacking boundaries, combat is always fresh, alive and constantly changing. Your particular style, your personal inclinations and your physical makeup are all parts of combat, but they do not constitute the whole of combat. Should your responses become dependent upon any single part, you will react in terms of what “should be”, rather than to the reality of the ever-changing “what is”. Remember that while the whole is evidenced in all its parts, an isolated part, efficient or not, does not constitute the whole.
Prolonged repetitious drillings will certainly yield mechanical precision and security of the kind that comes from any routine. However, it is exactly this kind of “selective” security or “crutch” which limits or blocks the total growth of a martial artist. In fact, quite a few practitioners develop such a liking for and dependence on their “crutch” that they can no longer walk without it. Thus, any one special technique, however cleverly designed, is actually a hindrance.
Let it be understood once and for all that I have not invented a new style, composite or modification. I have in no way set Jeet Kune Do within a distinct form governed by laws that distinguish it from “this” style or “that” method. On the contrary, I hope to free my comrades from bondage to styles, patterns and doctrines.
What, then, is Jeet Kune Do? Literally, “jeet” means to intercept or to stop; “kune” is the fist; and “do” is the way, the ultimate reality – the way of the intercepting fist. Do remember, however, that “Jeet Kune Do” is merely a convenient name. I am not interested with the term itself; I am interested in its effect of liberation when JKD is used as a mirror for self-examination.
Unlike a “classical” martial art, these is no series of rules or classification technique that constitutes a distinct “Jeet Kune Do” method of fighting. JKD is not a form of special conditioning with its own rigid philosophy. It looks at combat not from a single angle, but from all possible angles. While JKD utilizes all ways and means to serve its end (after all, efficiency is anything that scores), it is bound by none and is therefore free. In other words, JKD possesses everything, but is in itself possessed by nothing.
“Let it be understood once and for all that I have not invented a new style, composite or modification. I have in no way set Jeet Kune Do within a distinct form governed by laws that distinguish it from “this” style or “that” method.”
Therefore to try and define JKD in terms of a distinct style – be it gung-fu, karate, street fighting, Bruce Lee’s martial art, etc. – is to completely miss it’s meaning. It’s teaching simply cannot be confined within a system. Since JKD is at once “this” and “not this”, it neither opposes nor adheres to any style. To understand this fully, one must transcend from the duality of “for” and “against” into one organic unity which is without distinctions. Understanding JKD is direct intuition of this unity.
There are no prearranged sets of “kata” in the teaching of JKD, nor are they necessary. Consider the subtle difference between “having no form”, and having “no-form”; the first is ignorance, the second is transcendence. Through instinctive body feeling, each of us knows our own most efficient and dynamic manner of achieving effective leverage, balance in motion, economical use of energy, etc. Patterns, techniques or forms touch only the fringe of genuine understanding. The core of understanding lies in the individual mind, and until that is touched, everything is uncertain and superficial. Truth cannot be perceived until we come to fully understand ourselves and our potentials. After all, knowledge in the martial arts ultimately means self-knowledge.
At this point you may ask, “How do I gain this knowledge?” That you will have to find out all by yourself. You must accept that fact that there is no help but self-help. For the same reason I cannot tell you how to “gain” freedom, since freedom exists within you. I cannot tell you how to “gain” self-knowledge. While I can tell you what not to do, I cannot tell you what you should do, since that would be confining you to a particular approach. Formulas can only inhibit freedom, externally dictated prescriptions only squelch creativity and assure mediocrity. Bear in mind that the freedom that accrues from self-knowledge can not be acquired through strict adherence to a formula; we do not suddenly “become” free, we simply “are” free.
Learning is definitely not mere imitation, nor is it the ability to accumulate and regurgitate fixed knowledge. Learning is a constant process of discovery, a process without end. In JKD we begin not by accumulation but by discovering the cause of the ignorance, a discovery that involves a shredding process.
Unfortunately, most students in the martial arts are conformists. Instead of learning to depend on themselves for expression, they blindly follow their instructors, no longer feeling alone, and finding security in mass imitation. The product of this imitation is a dependent mind. Independent inquiry, which is essential to genuine understanding, is sacrificed. Look around the martial arts and witness the assortment of routine performers, trick artists, desensitized robots, glorifiers of the past and so on – all followers or exponents of organized despair.
How often are we told by different “sensei” or “masters” that the martial arts are life itself? But how many of them truly understand what they are saying? List is a constant movement – rhythmic as well as random; life is constant change and not stagnation. Instead of choicelessly flowing with this process of change, many of these “masters”, past and present, have built an illusion of fixed forms, rigidly subscribing to traditional concepts and techniques of the art, solidifying the ever-flowing, dissecting the totality.
The most pitiful sight is to see sincere students earnestly repeating those imitative drills, listening to their own screams and spiritual yells. In most cases, the means these “sensei” offer their students are so elaborate that the students must give tremendous attention to them, until gradually he loses sight of the end. The students end up performing their methodical routines as a mere conditioned response, rather than responding to “what is”. They no longer “listen” to circumstances; they “recite” their circumstances. These poor souls have unwittingly become trapped in the miasma of classical martial arts training.
A teacher, a really good sensei, is never a giver of “truth”; he is a guide, a pointer to the truth that the student must discover for himself. A good teacher, therefore, studies each student individually and encourages the student to explore himself, both internally and externally, until, ultimately, the student is integrated with his being. For example, a skillful teacher might spur his student’s growth by confronting him with certain frustrations. A good teacher is a catalyst. Besides possessing deep understanding, he must also have a responsive mind with great flexibility and sensitivity.
A FINGER POINTING TO THE MOON
There is no standard in total combat, and expression must be free. This liberating truth is a reality only in so far as it is experienced and lived by the individual himself; it is a truth that transcends styles or disciplines. Remember, too, that jeet kune do is merely a term, a label to be used as a boat to get one across; once across, it is to be discarded and not carried on one’s back.
Text taken from The Bruce Lee Foundation. Original publication by Black Belt Magazine.
Who is Jerry Poteet?
Branded by the Inside Kung Fu magazine editor, “the greatest Jeet Kune Do instructor in the world,” original Bruce Lee student Jerry Poteet is known by many as “the conscience of Jeet Kune Do.”
Since his teacher’s premature passing, Jerry has stood firm, refusing to water down the art that had such an enormous impact in his life. In fact, Jerry credits his teacher, Bruce Lee, with giving him the tools to survive, “the fight of my life”, when he was compelled to undergo a liver transplant in 1995.
Sifu Poteet has been teaching martial arts for over 40 years. Like many young men in the ’60s, Jerry began his martial arts career in Kenpo, and became a black belt under renowned Kenpo Instructor Ed Parker.
Contrary to popular misconception, Jerry did not meet his famous Jeet Kune Do teacher in Los Angeles, but in Oakland, at James Lee’s house. Later that year, he was fortunate enough to be chosen as the second student admitted to Bruce Lee’s Chinatown School back in LA. He was also selected to be in a “closed door” group of five students, who trained with Bruce Lee twice a week.
In the years since, Jerry has used his martial arts expertise to train the Dallas Cowboys football team, executive bodyguard Hollywood celebrities, and choreograph the fight scenes of several motion pictures.
But his proudest achievement is the fact that he was chosen as the person best able to train the actor who would portray his teacher, Bruce Lee. Over the years, Jerry has refined a teaching method that, like the art of Jeet Kune Do itself, strips away the inessentials. It was this method he used to train actor Jason Scott Lee for the role in DRAGON, THE BRUCE LEE STORY. For Sifu Poteet, it was the ultimate way “to give something back to my teacher.”
Whether teaching an individual or a group, Sifu Poteet is easy-going, yet intense, truly embodying the principle of Yin/Yang, or opposites co-existing harmoniously. He is friendly and casual in manner, yet he demands precision in movement and attitude. Laughing and joking, yet all business when it comes to the training results. He wishes to elicit from students only what his teacher demanded from him: their best. It is amazing to see how many surpass not only his expectations, but their own as well.
This is why Jerry Poteet is proclaimed as “The Source” for the truth in the art of Jeet Kune Do.
Text taken from the Jerry Poteet Jeet Kune Do Association
